Where To Get Emerald 386

Arauco, our Guantánamo. Pedro Cayuqueo

Norberto Parra Leiva probably ever heard of a British citizen Binyam Mohamed. But without knowing, he knows his history like few others.
Binyam Mohamed, a British resident follower of Islam, was released from Guantanamo a February 23, 2009. He spent four years in detention and was only released after staging a dramatic hunger strike, the same as forcing a humanitarian agreement between the British and American government. Mohamed was arrested in 2002 in Pakistan, as reported, was taken by the CIA from the U.S. to a prison in Morocco, where spent 18 months and suffered several sessions of torture before being transferred to the naval prison in the Caribbean. The young man came to the UK in 1994 as a refugee and worked as a janitor in London until 2001, when he traveled to Pakistan for family reasons. This trip was the beginning of a nightmare that never imagined he would confess later.

United States accused Mohamed of participating in a terrorist plot to detonate a "dirty bomb" on its soil. "Witnesses secrets and confessions obtained under torture were" evidence "of intelligence against them. International pressure and especially its provision absolute starvation rather than remain "buried alive", worked the miracle. In 2009, after seven years of persecution and four of confinement at Guantanamo, Mohamed was eventually released without charge. Norberto Parra Leiva

probably never heard of Binyam Mohamed. But without knowing, he knows his history like few others. Parra Leiva, Mapuche farmers lake area Lleu-Lleu, was arrested along with two of his brothers in April 2009, this after a violent raid by police on the PDI and three communities in the area of \u200b\u200bPuerto Choque, Arauco Province . Incommunicado for several days, Norberto was tried for his alleged participation in an "ambush" in October 2008 in the area struck the convoy of the Deputy Prosecutor of the Attorney General, Mario Elgueta.

Parra, along with his brothers and 10 other Mapuche peasant sector, were formalized by Terrorism Act charges of "attempted murder" against the prosecutor and "serious injury" to the staff of the PDI. Later they would add charges of "conspiracy to robbery and theft of timber" and "armed robbery, risking more than 50 years in prison. As in the case of Mohamed, "secret witnesses" were the main "evidence" incriminating of the persecutors of Norberto. After nearly two years in "protective custody", a dramatic hunger strike for the government to withdraw the Terrorism Act and three-month trial, Norberto was acquitted of all charges and released. The same two brothers and most of his fellow fasting and confinement.

"Acquitted," read the verdict read in the Court of Cañete on 22 February. However, there were four defendants who were not so lucky, being at the end of the day convicted of "undermining authority" and other crimes. According to family reported, none of this would have happened were it not for the "secret witnesses" and "confessions" extracted under torture. The next will be announced March 22 sentencing. All are members of the Coordinadora Arauco-Malleco. And risk, so low, 15 years in prison.

Three months after the release of Binyam Mohamed, an Appellate Court ruling in the UK passed the evidence "secrets" confessions "under duress" used against him and five other British citizens held by "terror" in Guantánamo , "violated the right to a fair trial." To date, no top Chilean court has ruled on similar methods applied to the Chilean-Mapuche conflict in the south. At least not in such categorical terms. Be of comfort that lawyers themselves are the Public Defender who began to put on a little dot the i's.

"We are concerned about those who were convicted because they used the confession of one of them clearly obtained in violation of minimum guarantees. He denounced torture, there's medical history and that they never underwent an impartial investigation, "said the Regional Ombudsman, Georgy Schubert, after completing the landmark trial. "The institution of the" faceless witnesses "creates a situation of helplessness super obvious inequality of complex weapons, which violates the fundamental principles of our rule of law. Someone accuses you but do not know who he is, if you are involved or have some other interest. It is impossible to defend against them, you are blind and that is an imbalance that I believe I should not be "shot on the other hand Paula Road, the first woman to hold the position of National Ombudsman.

"secret witnesses is why I was imprisoned and secret witnesses is our peñis (brothers) are prisoners" complained Norberto Parra after recovering his freedom in Cañete. "I was almost two years in prison to be a show that we did. Eight charges were me post! ... But I leave happy, if you do nothing comes out with its head held high, giving the face, as I'm leaving now, "he added, visibly moved by the media. "To get my liberty I am determined that none of those still in detention, and his tormentors, to be forgotten. Weighed by an experience I never imagined I would live. I wish I could say that everything is over, but it is not. Are still being held without access to a fair trial and without opportunity to be with their families. I am grateful that I finally just leave my fate. I am grateful to my attorneys and people who worked for my release. I ask no revenge, only to be known the truth, so that in future no one will suffer what I suffered. " This

not said Norberto. These words of Binyam Mohamed, the day that his return to London.


Originally published in The Clinic, Issue of March 3, 2011 / www.theclinic.cl

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Isidora

Isidora saw their works staged by theater companies like The Warehouse, Rajatabla, Free Free Theatre, Berliner Ensemble, National Theatre of Cuba, Theatre d'Nancy, Rostocker Schauspielhaus, and had the admiration of great contemporaries among which the Argentine Osvaldo Dragun, Roberto Cossa, Colombia's Enrique Buenaventura, Uruguayans and Roberto Espina Mauricio Rossenconff. never forget the admiration with which she told me about Dario For has always considered "The ones that are left on the road" as the highest demonstration of epic theater. Isidora Aguirre admired her and wanted the members of the first division of world theater, but in Chile ... you know what is the damn "payment of Chile." Isidora Aguirre

the quote with his mouth full in official circles in the cultural nomenclature, but just know one of his works, "The pergola flowers, splendid work undoubtedly the result of talent of a woman who even had the luxury of writing this beautiful entertainment to survive and thus be able to devote time to his other masterpieces such as the aforementioned "The ones that are left on the road", "Lautaro", "Yumbel Altarpiece" "Hope Town" and many other works marked by their unwavering defiance, sense of social justice and ethics, a rigorous ethical and intellectual artist who was always with the fucking, with the famous losers, with those below. Militant

communist to the core, Isidora Aguirre never cease to be where you had to be, at the right time, and he is right, what his conscience dictated as correct.

repeatedly denied him well-deserved national literary award just because he was a rebel, because they never gave up on their principles and they never ceased to be critical of power. A few years ago, one of the arguments to deny the national prize for literature was that "he had published very little." And with that the jury showed that never looked out the pages of "everything I dreamed of living" or "Letter to Roque Dalton", two novels published in Spain, more than 20 years of being published are still alive in memory readers and are two references in European universities when it comes to Chilean literature. But they could not give a national prize for literature to a lady of letters, now that the eighties, still writing away from any literary vanity and determined to tell from the dramatic text and from the stage matters as "less literary" as closure of coal mines in Lota. While he refused once again very well deserved award, Isidora, the Nene, was delivered to write "Going ... last man!" Or his amazing adaptation of "Fuenteovejuna" which was a mirror of the Chilean reality. Leo

the Chilean education minister has declared a day of national mourning for the death of the great playwright. Poor late tribute to, rather than fix an injustice, shame the managers of Chilean culture of the past twenty years.

I remember in the days of hiding, sitting on the floor with the typewriter on his lap and cigarettes in hand, writing a paper for consideration in France, Italy, Germany and Belgium to serve and assist a partner or companion hours earlier she had gotten into an Embassy to save his life, no more help than his own worth and his old black ceiling simca, auto much hated by the henchmen of the dictatorship. And in this sad hour I remember on the fly while editing an agitational work, "Who was to blame for the death of Maria Gonzalez, who had the honor of leading a troupe of Valparaiso. Isidora Aguirre received many plaudits and awards in America and Europe. His plays and novels have been translated into many languages, but in Chile the managers or managers, decided it was annoying, and damn if they were right, was stubborn against injustice, against the proud brave slicked power, rebel against the prudish mores, and free, very free, because it gave his noble heart of communism. Luis Sepulveda



Gijón, February 27, 2011 -----------------------------------

------------------ Brief biographical

(added by Editor CT).



Isidora Aguirre (Santiago, 1919 - 2/25/2001).

Chilean writer. Prominent figure in contemporary Chilean Theatre, is one of the representatives of the generation of writers that formed around the figure of Pedro de la Barra and created the Experimental Theatre at the University of Chile. Raised by his maternal grandparents in the bosom of a wealthy family, he learned to read and write at an early age, a fact that earned him consideration as a child prodigy of the National Theatre.

Linked to the realist, is the author of works of diverse nature, from musical comedies like The pergola Flowers (1960), gender was a great renewal, until pieces of Brechtian technique as Wastebaskets (1963) and those who remain on the road (1969), which expresses its deep concern for justice social.

Other works include Esperanza Population (1953), in collaboration with Manuel Rojas; Covenant Midnight (1954), Lautaro (Premio Eugenio Dittborn, 1982) Yumbel Altarpiece (Premio Casa de las Americas, 1987) and Dialogues End of the Century (1989). He also wrote children's stories and several novels, and everything I dreamed of living (1987) and Letter to Roque Dalton (1990).

His professional work was also oriented film and television, media in which he worked as a writer or adapter of classic works of Molière, Lope de Vega, among others. It has also been a university professor and translator of stagecraft. Taken

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